SPRINGFIELD, Va., Nov. 8, 2022 -- Now that recreational boating is coming to a close in much of the country, BoatUS takes a look back at the Top 10 boat names ordered this season through its online boat graphics service and provides some commentary.
For a look at all of the BoatUS Top 10 Boat Names lists over the years, go to BoatUS.com/BoatNames. The BoatUS Graphics service offers an online design tool that allows you to easily create custom boat graphics with fast turnaround times. BoatUS also offers simple step-by-step video instructions on how to install your new graphics yourself.
On March 13th, a party of companions had already been sailing for 13 days from the Galápagos to French Polynesia on the Raindancer, a 44-foot sailboat. Suddenly, they heard a loud noise, and Rick Rodriguez, the owner of the boat, was in the middle of enjoying some pizza when he felt the stern of the boat lift up and shift to starboard. It became apparent that they had struck a whale. The crew quickly inflated their lifeaft, and loaded their dinghy with essential supplies such as food, water, and communication equipment, and within 15 minutes, the Raindancer sunk beneath the waves.
After the collision with the whale and the Raindancer began to sink, Rick Rodriguez promptly sent out a mayday distress signal on the VHF radio. He and his companions then proceeded to evacuate onto the lifeboat and dinghy, taking essential supplies with them. In a report by The Washington Post, Rodriguez recounted that he and his friends felt a sense of disbelief and shock that this was happening, but they remained calm and focused on gathering what they needed to prepare for abandoning the ship. Despite the surreal situation, they managed to act efficiently and without much emotional turmoil, as Rodriguez stated: "While we were getting things done, we all had that feeling, 'I can't believe this is happening,' but it didn't keep us from doing what we needed to do and prepare ourselves to abandon ship."
Following the evacuation, the crew of the Raindancer spent 10 hours adrift before being rescued by the civilian boat Rolling Stone. The rescue was described as seamless and efficient. The Raindancer was equipped with various communication devices and emergency equipment, and its crew was trained to handle worst-case scenarios. Despite these measures, collisions between whales and boats have been on the rise since 2007, with approximately 1,200 such incidents recorded to date. Alana Litz, one of the individuals on board the Raindancer, believes that the whale they struck was a Bryde's whale, and she and her companions observed the animal bleeding as it swam away.
Rodriguez expressed his gratitude for the swift rescue, stating: "I feel very lucky and grateful that we were rescued so quickly. We were in the right place at the right time to go down." Despite the unfortunate event, he and his companions were grateful to have made it out alive and credited their preparedness and training for helping them handle the situation as best they could.
For the full story visit The Washington Post.
WASHINGTON--(BUSINESS WIRE)--The start of a new year brings the beginning of boat show season for the $170 billion U.S. recreational boating industry and the National Marine Manufacturers Association (NMMA), which represents 85 percent of the country’s recreational boat, marine engine and accessory manufacturers. The recreational boating industry is preparing to welcome an estimated two million Americans to dozens of boat shows between January and March to shop the latest boats as they continue prioritizing outdoor recreation. Boat retailers and manufacturers have historically generated between 30-to-50 percent of their annual sales at boat shows.
Coming off a record year of extraordinary demand in 2021 led to the second highest ranked year in nearly two decades for recreational marine expenditures at $56.7 billion. New powerboat retail unit sales normalized in 2022, down an estimated 15-18 percent, to pre-pandemic growth years (2015-2019) with an estimated 250,000 new units sold, 25 percent above previous averages (2008-2014). Looking ahead to 2023, early indications point to continued healthy demand with new retail unit sales expected to remain on par with 2022.
This momentum comes as Americans demonstrate an ongoing prioritization of a life well-lived, spent enjoying outdoor experiences with family and friends and marine manufacturers continue strategically managing production and inventory pipelines following two years of supply chain bottlenecks. Segments driving growth in 2022 included entry-level boats such as personal watercraft, freshwater aluminum and fiberglass fishing boats, as well as pontoon boats that are less than 26 feet.
“Last year was a healthy year for recreational boating with momentum coming off of record sales in 2021 due to continued demand and the fact that supply chain shortages prevented our industry from overproducing like we saw happen in other sectors over the past two years,” said Frank Hugelmeyer, NMMA president. “With boat shows fully returning following two years of limited events due to COVID, we’ve already seen encouraging sales reports within certain categories, coupled with consumers continuing to invest in the unique experiences that come from being on the water.”
New data from the U.S. Department of Commerce’s Bureau of Economic Analysis (BEA), released in November, shows the outdoor recreation economy has seen record-breaking years, sustaining remarkable growth despite navigating a post-pandemic environment. In 2021, outdoor recreation generated $862 billion in economic output, accounting for 1.9 percent of U.S. GDP, making it a larger contributor than agriculture, extraction of oil and gas, and mining. Outdoor recreation also supported 4.5 million American jobs. What’s more, recreational boating and fishing are the number one contributor to the near-billion dollar outdoor recreation economy, surpassing RVing, hunting, and other outdoor activities.
With dozens of boat shows being held around the U.S., including Discover Boating®’s 10 show line-up this winter, manufacturers and dealers will unveil the latest product innovations and technologies, offer exclusive promotions and provide immersive boating activities to engage potential first-time boat buyers as well as millions of boaters look to come together during the off season.
“We’ve done extensive research to better understand boaters of today and tomorrow and local boat shows are a consistent favorite given the sense of community they create by bringing together boaters of all interests, access to all local dealers and new boat models in one place, the ability to board and buy boats, shop the newest gear, and be immersed in education and experiences—they take pop-up retail and social meet-ups to the next level,” said Ellen Bradley, senior vice president of marketing and communications for NMMA.
Unless otherwise noted, the following additional data are from the NMMA’s 2021 Recreational Boating Statistical Abstract.
About NMMA: The National Marine Manufacturers Association (NMMA) is the leading trade organization for the North American recreational boating industry. NMMA member companies produce more than 80 percent of the boats, engines, trailers, marine accessories and gear used by millions of boaters in North America. The association serves its members and their sales and service networks by improving the business environment for recreational boating including providing domestic and international sales and marketing opportunities, reducing unnecessary government regulation, decreasing the cost of doing business, and helping grow boating participation. As the largest producer of boat and sport shows in the U.S., NMMA connects the recreational boating industry with the boating consumer year-round. Learn more at www.nmma.org and get engaged with us on Facebook, Twitter and LinkedIn.
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Cultural Arts Alliance of Walton County and South Walton Artificial Reef Association reveal seven designs selected for fifth Underwater Museum of Art Installation.
SANTA ROSA BEACH, FL (January 30, 2023) – The Cultural Arts Alliance of Walton County (CAA) and South Walton Artificial Reef Association (SWARA) are proud to reveal the seven new sculpture designs, chosen by jury for permanent exhibition in the fifth installation of the Underwater Museum of Art (UMA).
The 2023 installation will include the following pieces of sculpture: Quantum Reef by Chris Chubb (Tallahassee, FL), Space Nest by Frank Henderson (Evanston, IL), Welcome Home by Zachery Long (Oklahoma City, OK), Madam Nature by Andrew Luy (Huntsville, AL), Cetacean Remains by Pat Mclain (Stone Mountain, GA), One Tree by Ann Moeller Steverson (Huntsville, AL) Opus by Allison Wickey (Santa Rosa Beach, FL).
Named in 2018 by TIME Magazine as one of 100 “World’s Greatest Places,” the UMA is presented as part of CAA’s Art In Public Spaces Program and augments SWARA’s mission of creating marine habitat and expanding fishery populations while providing enhanced creative, cultural, economic and educational opportunities for the benefit, education and enjoyment of residents, students and visitors in Walton County.
UMA sculptures are deployed with SWARA’s existing USACOA and FDEP permitted artificial reef projects that includes nine nearshore reefs located within one nautical mile of the shore in approximately 58 feet of water. The 2023 installation will join the 34 sculptures previously deployed on a one-acre permit patch of seabed off Grayton Beach State Park, further expanding the nation’s first permanent underwater museum.
Deployment of the 2023 UMA installation is slated for Summer. Visit UMAFL.org for more information on timeline and events surrounding UMA’s launch. Project and sculpture sponsorships are available. Please contact Gabby Callaway at gabby@culturalartsalliance.com for sponsorship details.
QUANTUM REEF by Tallahassee, Florida architect Chris Chubb occupies 100 square feet of the 617,500 square MILE Gulf of Mexico. Relatively, this is similar to the infinitesimal size of a single atom compared to a dinner plate. The Quantum Reef invites the viewer to leave the human scale and enter the sub-atomic scale. Analogous to a dynamic atom, Quantum Reef is animated by schools of fish darting through the aluminum ‘shell’ and swirling about the limestone ‘nucleus’. The sculpture is intended to provide needed marine habitat, inspire multidisciplinary work and promote educational initiatives in STEAM (science, technology, engineering, arts and mathematics).
SPACE NEST designer Frank Henderson is based in Evanston, IL. The sculpture is inspired by the beautiful homes of Diatoms, which often use circle packing to generate an ornate organic geometry from silicate. The nest is created by circle-packing various sizes of circles into a dome shape. The resulting form is incredibly strong and resilient while using minimal materials to create maximum size and usable negative space. The title “Space Nest” refers to two things - the modern myth that diatoms are in-fact aliens using their silicate space ships to venture to new lands in the process of panspermia, and the sense of space and openness that this geometric form gives to the nest itself. Its use of negative space adds to a sense of mystery and opportunity that the replicated silicate form provides. Marine life can swim through and around it as part of the artificial reef, to build and grow their own homes in. It serves as a cage of protection from predatory marine life, while offering areas to move through and explore for other marine life and divers visiting the UMA.
WELCOME HOME by Illinois-based artist Zachery Long is a gesture we are all familiar with and can relate to. The sculpture has a two-fold meaning. Creating these three UMA letters is a thank you to the people making this new habitat a reality. “The Underwater Museum of Art is more important than we all know,” said Long. “It is a positive movement in the right direction leading by example to create net positives for our oceans.” Secondly, Welcome Home is a much needed greeting sign for fish looking to rehome from their previously barren sand flats. Nothing says home like giant barrel sponges, corals, and a welcoming UMA sculpture. Each concrete letter will be evenly spaced to provide passageways for water current and sea life. The concrete barrel sponges are various sizes to provide different types of shelter and living spaces to the differing species.
MADAM NATURE artist Andrew Luy has maintained multiple saltwater aquariums, bred seahorses and propagated corals through fragmentation, and has grown phytoplankton, among other ocean life maintenance. With this project he not only wants to create an aesthetically pleasing sculpture, but he also looks to create a sustainable habitat for sea life and corals. The top half will have crevices and holes similar to brain coral skeletons to allow for naturally occurring coral population and for coral plugs to be inserted to allow for any future propagation endeavors. The inner core of the globe will have a network of tunnels & holes, made of limestone and concrete to encourage invertebrates, fish, and other sea life to shelter. He designed the woman’s hair as an homage to the weedy sea dragon along with open areas to provide protective zones and to house long tip and other indigenous anemones to simulate flowing hair.
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Atlanta-based artist Pat Mclain’s hope for the CETACEAN REMAINS sculpture is for it to be an extremely interactive experience for the diver giving them the ability to swim through the piece like a tunnel. When he first heard of the museum his mind thought of something that would naturally be found on the ocean floor. Something that seemed prehistoric but was supposed to be there. Doing a simple segment of the body like the rib cage is a great stand alone piece but could also grow with additions to the skeleton frame over time.
ONE TREE is an 8' tall by 9' wide by 9' deep concrete sculpture depicting two trees grown together over time with their roots entwined from artist Ann Moeller Steverson. The fantastical branches of the trees feature four seasons, from blossoms to fruit, falling leaves, and the adornment of icicles. From the right angle, viewers would see the suggestion of a heart shape between the trunk and branches. The roots, in the style of a banyan tree, would have deep grooves that provide a perfect breeding ground/habitat for fish, algae, coral, and other marine life. The canopy of the trees would also provide an additional surface area, attraction, and shelter. The design of "One Tree" is an evolution of a painted commission that captured the hearts and imaginations of romantics worldwide and extends its story to the underwater world of Grayton Beach State Park. The painting was a gift from a husband to his wife, inspired by this expert from Captain Corelli's Mandolin.
"Love is a temporary madness.
It erupts like volcanoes and then subsides.
And when it subsides, you have to make a decision.
You have to work out whether your roots have so entwined together
that it is inconceivable that you should ever part.
Because this is what love is.
....
Those that truly love, have roots that grow towards each other underground,
And when all the pretty blossom have fallen from their branches
They find that they are one tree and not two.”
The piece offers a unique enchanting destination for couples who wish to have their underwater nuptials beside it or just meet up under its branches
OPUS is the second sculpture to be installed at the UMA for Santa Rosa Beach, Florida-based artist Allison Wickey who is also a founding partner of the project. The octopus is the ultimate mystery, embodying all that the sea symbolizes in one creature. Not only are they intriguing, but they are also elegant and mesmerizing to watch. They are known to 'play' with other species, walk on two legs and befriend humans. Although they have been portrayed as scary or dangerous they are actually peacemakers in her opinion. They seem to have a silly sense of humor while also being highly intelligent and can change itself via color or shape to work its way out of bad situations. The combination of beauty, brilliance and resilience is an enviable trait and the octopus has it all. Allison thinks the octopus is a good symbol for the times, as we learn to work our way out of new and strange issues in current society while retaining a sense of humor.
The mission of the Cultural Arts Alliance of Walton County, a non-profit 501(c)3 organization, is to advance the arts through leadership, advocacy, funding, programs and education. The vision of the CAA is to make Walton County a creative place in which to live, work and visit. Membership information, grant and scholarship applications, and more can be found at CulturalArtsAlliance.com.
The South Walton Artificial Reef Association is a grassroots, 501(c)3 organization dedicated to deploying and monitoring publicly permitted living reefs in Walton County's near shore coastal waters for the benefit, education, and enrichment of residents, visitors, and marine habitat for present and future generations. Learn more at SwaraReefs.org.
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